It received extensive media coverage, with over 200 articles and 330 pages of media appearing in all media outlets including The Age, SMH, Herald Sun, The Australian, The Guardian, The Daily Telegraph, ABC Insiders, etc. See a snapshot of media articles here: Additional assets have had high engagement including 944 Screening Guide downloads. Shortly this will also incorporate project-specific market and festival support provided by Screen Australia since its inception in July 2008. The documentary intertwines media clips from Goodes' games, general AFL coverage, news stories, press conferences and interviews from the era to paint a heartbreaking picture of the ex-Swans captain's experiences. 0000003092 00000 n Lighting Costume and make-up Staging/blocking: movements and performance Note: Mise en scene is independent of the camera work or editing. 0000010667 00000 n The Final Quarter Teaching Resources The Final Quarter Curriculum Resources Fighting against Racism through Education. Level of teacher scaffolding: Medium introduce new concepts and facilitate discussions and activities. Production companies: Thirty Seven Films, Shark Island Productions Explores injustices faced by Aboriginal and Torres Strait Islander peoples, their rights and the continuing journey towards reconciliation. 33 Creative and the GO Foundation were invaluable in publicising the film and carrying out its impact campaign over social media. Use these age-appropriate lessons to guide your students through the process of viewing the filmin its entirety. Learning Through Film, Social Issues, Indigenous Education, Aboriginal and Torres Strait Islander Histories and Cultures (OI.9), The Final Quarter Assembling Archival Footage Media Arts Years 9 & 10, Editing Conventions Seed Discussion Posters, Editing Vocabulary And Archival Documentary Conventions Factsheet, Students understand how technical and symbolic codes are used by the director of. This powerful film captures a period from 2013-2015 focusing on leading Sydney Swans AFL player Adam Goodes in the final years of his football career. 0000067425 00000 n Director Ian Darling joins us to discuss, ://fbiradio.com/ian-darling-yvonne-sampson-last-days-adam-goodes-career/, https://thefinalquarterfilm.com.au/about/. (2019), June 17). But there is one key figure who is conspicuous by his complete absence. The motivation for, and acceptability of, the booing generated wide public debate, which dominated media coverage from both sports and political commentators for weeks at a time. [5], On 24 May 2013, during the AFL's annual Indigenous Round (the Sir Doug Nicholls Round), a 13-year-old Collingwood supporter called Goodes an "ape". Director's Statement. Background [ edit] 0000067911 00000 n We'll update you with a release date when one is announced. 0000007932 00000 n Director Ian Darlings film is crafted using only archival footage aired at the time, which has been expertly edited. But this is not some dry academic exercise. 0000003986 00000 n In July 2019 the NFSA hosted a screening of director Ian Darling's documentary The Final Quarter, about the events that provoked heated public debate and the retirement of champion AFL player Adam Goodes. To help make planning easier you can access all the specialist units on this page. He publicly called out racism, was named Australian of the Year, was accused of staging for free kicks, and performed an on-field war dance celebration. Given the content, it is also important for teachers to communicate with parents and guardians of Aboriginal and Torres Strait Islander students before playing the film and/or engaging with the teaching and learning resources. The racially motivated vilification and unsympathetic voices from audience members and commentators increased to the point where he left the game on which he had built his career. Being independent means they are not owned by a major media company. Way back in the distant dark ages of Australian history those atavistic times when the nation was young, barbaric and bigoted one of the greatest players in one of the countrys most cherished sports leagues ended his career not in fanfare, but as a figure at the centre of an ugly debate about racism. In developing the lessons it was critical that we had the input of a psychologist and expert groups to ensure these lessons promote emotional safety and cultural awareness. Learn more about the film here. Fire Up! It was produced by Shark Island Third party web links are provided for your convenience only. They specialise in creating documentaries that educate the public about important social issues. Our 250 Analysts and SMEs offer a high level of expertise in data collection and governance using industrial techniques to collect and analyze data on more than 25,000 high-impact and niche markets. This lesson will be centred around the acclaimed 2019 documentary, The Final Quarter. The Final Quarter is a 2019 Australian documentary, directed by Ian Darling and produced by Shark Island Productions, about the final stages of the Australian football career of Adam Goodes, during which he was the target of repeated booing by opposition fans. Video: Ian Darling and YvonneSampson on the Last Years of Adam Goodes' Career. understand the definition of archival documentary and the process of selection and omission to construct meaning for the audience. Cool Australia has produced 52 lessons designed for Years 5-12 that investigate racism, privilege, truth-telling, cultural pride, resilience, values and dignity. Teachers are advised to use their discretion when deciding whether to show this film. 0000006599 00000 n Excludes Producer Offset and Producer Equity Program. On this Wikipedia the language links are at the top of the page across from the article title. (2019). Honing in on Goodes' last three seasons as an AFL player up until his . 0000001984 00000 n Music, still images and diction-ary definitions have been added to heighten the message of The Final Quarter. 0000062218 00000 n [25] It was shown as part of the 2019 Perth International Film Festival and the Castlemaine Documentary Film Festival, both in July 2019,[26] and aired on Network Ten on 18 July 2019. 0000042530 00000 n 52 Victoria StreetPaddington, Sydney NSW 2021, Allens Linklaters and their invaluable pro bono legal support, This website was created with the support of. 0000004542 00000 n Narragunnawali: Reconciliation in Education (Reconciliation Australia). Unsurprisingly, it's also both moving in displaying the AFL champ's dignified response to such horrors, and infuriating in its thorough examination of his ordeal. Director Ian Darling's documentary The Final Quarter provides a confronting, comprehensive recap of the shameful events that saw Adam Goodes booed into retirement. Students will learn what an archival documentary is and examine archival documentary filmmaking conventions, particularly in relation to the film 'The Final Quarter'. 0000071725 00000 n In these 52 lessons students will learn about taking responsibility for their words, actions and attitudes towards Aboriginal and Torres Strait Islander peoples and the importance of rejecting racism in all its forms. Students will gain an appreciation of the work of Shark Island Productions and the power of archival documentary to communicate public messages of importance. [27] Luke Buckmaster, writing for The Guardian, called it "confronting" and "inspiring",[29] while Blake Howard, writing for Flicks, gave it five stars and called it exhilarating and powerful. In addition, 13,000 users accessed the educational resources on Cool Australia and 2,500 watched the film, and the AToM study guide was downloaded 3,507 times. Addressing the media the day after famously being called an ape by a 13-year-old girl in the stands, for instance, Goodes rightly criticises the teenagers behaviour while calling for compassion insisting that its not her fault, that kids are innocent and we need to support her. The film 'The Final Quarter' looks at the final years of Adam Goodes' AFL career and the storm that followed. [13][14][15][16], Goodes retired from the AFL in September 2015. Student Worksheets one copy per student. Synopsis The girl phoned to apologise, saying that she hadn't realised the impact of her words. Cool celebrates the world's oldest living culture and acknowledges that sovereignty was never ceded. They specialise in creating documentaries that educate the public about important social issues. [20], Many commentators and Goodes himself believed that the booing was racially motivated, while others believed that it was motivated by dislike of his playing style or of his response to a 13 year old girl who shouted a racially-charged insult at him. Retrieved fromhttps://thefinalquarterfilm.com.au/about/. From 2013, Sydney Swans footballer Adam Goodes went from being a champion footballer, an outstanding Indigenous leader and the 2014 Australian of the Year, to being booed and taunted by fans at stadiums across the nation. [6] Goodes was deeply affected by the incident, but said repeatedly that the girl should not be blamed; the environment that she grew up in had shaped her response. The Australian Human Rights Commission is an independent statutory organisation, established by an act of Federal Parliament. The AFL issued an unprecedented and extraordinary response on the night of the films premiere, apologising for the treatment that Adam Goodes had experienced and for not doing enough. All Rights Reserved. Tracy Bentin,Psychologist,MAPS; Grad Dip Applied Child Psych; BBSc (Hons). The cheers became boos as the crowds turned on him. Upon hearing the abuse, Goodes pointed the girl out to security, who ejected her from the stadium. Extremely effective in initiating a national conversation regarding racism in Australia. Below we've listed down some of the most widely-used cinematography techniques that can help dictate how your audience should feel about your scene, as well as how they will interpret it. When the football crowds turned on him, the Brownlow medallist left his beloved game. This sets the scene for exploration of one of the films key messages: that words matter, and they ought to be used responsibly. Those unfamiliar with Australian football are unlikely to become adherents after watchingThe Final Quarter, a documentary that weaves together archival footage to tell the story of Indigenous player Adam Goodes, whose outspokenness about racism led to a cavalcade of jeers and finally to his exit from the game. He emerges before the fade-out as a thoughtful man, and not remotely strident, but one powerless to control snowballing events. Directed by Ian Darling, and solely compiled from archival material in a technique reminiscent of another great sports doco in recent years, Senna it's a powerful and impassioned chronicle of the treatment Goodes received from crowds and commentators alike. I see a man down: booing and being Adam Goodes", "Proud Goodes stands by war cry celebration", "Adam Goodes booing: Gillon McLachlan calls for footy to get its respect back as captains of all 18 AFL clubs make plea to fans", "#istandwithadam: Social media campaign rallies for Sydney Swans star Adam Goodes", "Swell of support for Adam Goodes as Sydney Swans play Adelaide Crows at SCG", "Goodes reveals he almost retired after booing controversy", "Swans champion Adam Goodes calls it a day", "AFL says 'sorry' for not protecting Adam Goodes sooner from racist booing", "Retired Sydney Swans legend Adam Goodes would have been booed on grand final day, says Tim Watson", "Adam Goodes documentary sparks outpouring of remorse from AFL fans", "Ten to air Adam Goodes documentary, The Final Quarter", "AFL great Adam Goodes is being booed across Australia. Adam Goodes is a champion AFL footballer and Indigenous leader who became a lightning rod for an intense public debate and widespread media commentary that divided the nation. They evaluate how genre and media conventions and technical and symbolic elements are manipulated to make representations and meaning. Documentary Australia at Sydney Film Festival, https://thefinalquarterfilm.com.au/media-articles/, Early-Mid 2019: Screenings with dozens of influential organisations and individuals including peak Indigenous bodies, the Australian Human Rights Commission, the AFL including the Indigenous Players Group and all 18 AFL Clubs, May 2019: Media screenings for more than 100 journalists as a part of a proactive media strategy to reach a mass audience, 7 June 2019: Premiere screenings at the Sydney Film Festival to sold out audiences, receiving unprecedented demand and extensive media coverage, followed by a number of other film festivals, 19 July 2019: Broadcast nationally on Channel 10 (July 18) and WIN- accompanied by a special on, 20 September 2019: the film became freely available to schools, sporting clubs and community organisations and anyone could access the resources, stream the film, or request a copy of the DVD, Community, corporate, school and sporting club screenings were facilitated, with Shark Island staff attending over 95% of the screenings to participate in panels and Q&As, 27 September 2019: the Home Entertainment (digital) release began. Given that Adam Goodes retired in 2015, why do you think Shark Island Productions thought it important to share the Adam Goodes story with audiences four years later? [17] He did not attend the Grand Final, where retiring players traditionally take part in a parade, one of only a handful of players to decline this invitation since the parade for retiring players was established. Relevant parts of Years 9 & 10 achievement standards: By the end of Year 10, students analyse how social and cultural values and alternative points of view are portrayed in media artworks they make, interact with and distribute. [33][34], The Western Bulldogs released their own statement about the documentary. [7], Over the following years, and particularly in 2015, Goodes was repeatedly and loudly booed by opposition fans at most matches. The result is a powerful film that holds a mirror to Australia and suggests we reconsider what happened on and off the football field. The director of the film, Ian Darling, led the production team in deciding what to omit and what to include from the many televised me-dia segments and newspaper stories available. Subscribe for full access to The Hollywood Reporter, Ian Darling recaps the years-long media cycle that drove Indigenous sportsman Adam Goodes out of the limelight in 'The Final Quarter.'. His response strives to acknowledge the hurt inflicted on Aboriginal peoples without sounding ungrateful for the honor just bestowed upon him, and its the futility of his efforts to tread this line between calling a spade a spade and conciliation that gives his media encounters their sense of discomfort, and of poignancy. 0000011178 00000 n Below are some of the must-know techniques that are included in the glossaries of Matrix English Theory Books. Camera angles refer to the tilt of the camera in relation to the scene and the characters. Andrew Bolt, Alan Jones and Sam Newman haunt Ian Darlings film like ranting apparitions. Students will explore how the editor and director created mood and message for the audience, and appreciate how archival documentary can powerfully communicate public messages of importance. Through the Narragunnawali platform, schools and early learning services can develop a Reconciliation Action Plan (RAP), and teachers and educators can access professional learning and curriculum resources to support the implementation of reconciliation initiatives. An in-depth look at casual racism and racial vilification in Australia. offsider Kris Gale chat with Ian and Yvonne about the film which premiered at the Sydney Film Festival, and which uses . 0000067587 00000 n 'The Final Quarter': Film Review. [28], The documentary was widely praised by critics. Uncomfortable, too, in the middle of a media storm he never saw coming, and which seems never to abate. Darling also makes the point that we can always learn from history whether that history is found in an ancient scroll inside a museum, or via television footage from the old, dark, distant days of 2015. Adam Goodes was Australian of the year in 2014. The cheers became boos as football crowds turned on him. Explores race relations in Australia and how formal and informal treatment of Aboriginal and Torres Strait Islander peoples impacts upon their sense of belonging. We want all Australians to feel they belong and that they have a stake in the game. They evaluate how social, institutional and ethical issues influence the making and use of media artworks. These should help both aspiring and professional cinematographers create the most impactful and engaging films and music videos. An Aboriginal player, and number 37 for the Sydney Swans, Adam Goodes was singled out for verbal abuse, booing and jeering by spectators from a range of clubs during the last three yea. 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